Observations by Doug Rugh, a classically trained artist based on Cape Cod,Massachusetts. (Overwrought penumbras, tangential tales and meager conundrums diffused through the squinting oculus of a shade arranger.)
Showing posts with label value/tone. Show all posts
Showing posts with label value/tone. Show all posts
Thursday, December 03, 2009
New Figure Studies Added to (eBay Style) Store
Labels:
charcoal,
conte,
Depot Group,
drawing,
eBay,
exhibitions,
figures,
galleries,
gouache,
pastel,
sketches,
studies,
value/tone
Friday, May 11, 2007
There's No There There
Excerpt from this posting:
"...It's impossible to be impressed with oneself..."
This journal entry is now available as part of a compilation in ebook form:
Specifications:
Epub and PDF formats
102 Entries
26,700+ Words
95 Full-Color Illustrations (Oil paintings by the author.)
2006 - 2010
More information here.
Labels:
blended,
challenges,
drawing,
hue/temperature,
influence,
inspiration,
masters,
music,
oil painting,
optics,
paint quality,
painting,
props,
realism,
still life,
student,
surface,
tennis,
value/tone
Friday, March 30, 2007
Chiaroscuro
Excerpt from this posting:
"...the root words of chiaroscuro -- light lifting the tonal veil of darkness -- are both clear and obscure. Folds become beautiful when a little mystery (and shadow) is added..."
This journal entry is now available as part of a compilation in ebook form:
Specifications:
Epub and PDF formats
102 Entries
26,700+ Words
95 Full-Color Illustrations (Oil paintings by the author.)
2006 - 2010
More information here.
Labels:
color,
hue/temperature,
inspiration,
light,
oil painting,
optics,
painting,
realism,
saturation/chroma,
still life,
value/tone
Monday, January 08, 2007
Color Study
Excerpt from this posting:
"...A whole host of other aspects which can be followed individually like instruments in a symphony become something entirely different as a whole, complicating the matter and insuring that painting remain an art and not a science..."
This journal entry is now available as part of a compilation in ebook form:
Specifications:
Epub and PDF formats
102 Entries
26,700+ Words
95 Full-Color Illustrations (Oil paintings by the author.)
2006 - 2010
More information here.
Labels:
aesthetics,
Cape Cod,
color,
composition,
edges,
hue/temperature,
knife,
oil painting,
painting,
saturation/chroma,
value/tone,
Woods Hole
Friday, December 08, 2006
The Color of Color
Excerpt from this posting:
"...our brains are used to subtracting this pervading tint from what we see before us..."
This journal entry is now available as part of a compilation in ebook form:
Specifications:
Epub and PDF formats
102 Entries
26,700+ Words
95 Full-Color Illustrations (Oil paintings by the author.)
2006 - 2010
More information here.
-Doug Rugh
Labels:
color,
galleries,
hue/temperature,
light,
oil painting,
optics,
painting,
realism,
saturation/chroma,
still life,
value/tone,
viewing
Tuesday, December 05, 2006
Michelangelo at the Coffee Shop
Excerpt from this posting:
"...Without signing the drawing I quickly walked out, leaving it on the table..."
This journal entry is now available as part of a compilation in ebook form:
Specifications:
Epub and PDF formats
102 Entries
26,700+ Words
95 Full-Color Illustrations (Oil paintings by the author.)
2006 - 2010
More information here.
"...Without signing the drawing I quickly walked out, leaving it on the table..."
This journal entry is now available as part of a compilation in ebook form:
Specifications:
Epub and PDF formats
102 Entries
26,700+ Words
95 Full-Color Illustrations (Oil paintings by the author.)
2006 - 2010
More information here.
Labels:
drawing,
exploits,
inspiration,
masters,
methods,
oil painting,
painting,
realism,
studies,
value/tone,
viewers
Monday, December 04, 2006
The Glooming
Excerpt from this posting:
"...I overhear someone outside my door say, "...he's in one of his moods. I wouldn't go in there." But with imperfect hearing I remember that I'm prone to imaginings and just continue along..."
This journal entry is now available as part of a compilation in ebook form:
Specifications:
Epub and PDF formats
102 Entries
26,700+ Words
95 Full-Color Illustrations (Oil paintings by the author.)
2006 - 2010
More information here.
-Doug Rugh
Labels:
artist,
Cape Cod,
galleries,
inspiration,
landscape,
mood,
oil painting,
painting,
plein air,
studio,
value/tone,
viewers
Thursday, November 30, 2006
Fog Induced
Excerpt from this posting:
"...Streetlights behind trees cast their limbs across thick fog like projected holograms and remind me of warm summer nights walking around a Woods Hole (add boat and fog horns for effect) transformed into an overblended monochromatic underpainting..."
This journal entry is now available as part of a compilation in ebook form:
Specifications:
Epub and PDF formats
102 Entries
26,700+ Words
95 Full-Color Illustrations (Oil paintings by the author.)
2006 - 2010
More information here.
-Doug Rugh
Labels:
blended,
Cape Cod,
color,
inspiration,
landscape,
location,
mood,
oil painting,
optics,
painting,
plein air,
saturation/chroma,
tennis,
theory,
value/tone,
viewing,
Woods Hole
Monday, November 27, 2006
John Singer Sargent's Palette
Excerpt from this posting:
"...The perfect palette is an improvement on the arm..."
This journal entry is now available as part of a compilation in ebook form:
Specifications:
Epub and PDF formats
102 Entries
26,700+ Words
95 Full-Color Illustrations (Oil paintings by the author.)
2006 - 2010
More information here.
"...The perfect palette is an improvement on the arm..."
This journal entry is now available as part of a compilation in ebook form:
Specifications:
Epub and PDF formats
102 Entries
26,700+ Words
95 Full-Color Illustrations (Oil paintings by the author.)
2006 - 2010
More information here.
Labels:
artist,
blended,
brushstrokes,
color,
inspiration,
knife,
masters,
materials,
methods,
museum,
oil painting,
painting,
palette,
saturation/chroma,
studio,
value/tone
Thursday, November 23, 2006
Camera Obscura: Light in a Dark Room
"Girl in a Red Hat" by Vermeer
Excerpt from this posting:
"...A friend who is an engineer that sends laser light to the moon visited the studio the other day and we got to talking about the camera obscura (a projected image box that Vermeer had access to.) Now, every few days he calls me into his office so can see the improvements on a rig he set up in his window..."
This journal entry is now available as part of a compilation in ebook form:
Specifications:
Epub and PDF formats
102 Entries
26,700+ Words
95 Full-Color Illustrations (Oil paintings by the author.)
2006 - 2010
More information here.
-Doug Rugh
Labels:
blended,
brushstrokes,
color,
hue/temperature,
inspiration,
light,
masters,
methods,
oil painting,
optics,
painting,
palette,
portrait,
realism,
saturation/chroma,
theory,
value/tone,
viewing
Tuesday, November 21, 2006
Rose Colored Glasses
View a larger image. 5" x 7" oil/panel.
Excerpt from this posting:
"...I lost my glow back in the studio when I looked at my colorless panel. The pink light of the setting sun no longer tinting my drab colors..."
This journal entry is now available as part of a compilation in ebook form:
Specifications:
Epub and PDF formats
102 Entries
26,700+ Words
95 Full-Color Illustrations (Oil paintings by the author.)
2006 - 2010
More information here.
-Doug Rugh
Labels:
Cape Cod,
Cataumet,
color,
hue/temperature,
inspiration,
interpretation,
landscape,
light,
location,
methods,
oil painting,
optics,
painting,
palette,
plein air,
saturation/chroma,
value/tone,
viewing
Sunday, November 12, 2006
Heat in the Firehouse
Excerpt from this posting:
"...Photographs can capture one or the other but because of limitations in value range aren't able to portray what the eye can see. Pigments have similar limitations but the artist must use optical tricks to simulate the illusion..."
This journal entry is now available as part of a compilation in ebook form:
Specifications:
Epub and PDF formats
102 Entries
26,700+ Words
95 Full-Color Illustrations (Oil paintings by the author.)
2006 - 2010
More information here.
-Doug Rugh
Labels:
Cape Cod,
color,
hue/temperature,
inspiration,
interior,
light,
location,
methods,
oil painting,
optics,
painting,
palette,
saturation/chroma,
value/tone,
viewing,
Woods Hole
Tuesday, November 07, 2006
Painting with Two Colors
This journal entry is now available as part of a compilation in ebook form:
Specifications:
Epub and PDF formats
102 Entries
26,700+ Words
95 Full-Color Illustrations (Oil paintings by the author.)
2006 - 2010
More information here.
Labels:
blended,
color,
edges,
hue/temperature,
oil painting,
paint quality,
painting,
palette,
realism,
still life,
surface,
value/tone
Still Life Elements
View a larger image.
From an interview with Doug in Still-Life in Oils by Theodora Philcox:
Excerpt from this posting:
"...I started with a very saturated pthalo green underpainting because I wanted the underlying feeling of that pure but mysterious sea colour to predominate..."
This journal entry is now available as part of a compilation in ebook form:
Specifications:
Epub and PDF formats
102 Entries
26,700+ Words
95 Full-Color Illustrations (Oil paintings by the author.)
2006 - 2010
More information here.
-Doug Rugh
Labels:
hue/temperature,
interpretation,
light,
meaning,
mood,
oil painting,
optics,
painting,
saturation/chroma,
still life,
value/tone
Sunday, November 05, 2006
Standing in Front of a Painting
View the whole painting and an excerpt from a book about the technique used in creating this work.
Excerpt from this posting:
"...artwork done with the eye doesn't get a fair viewing. We're missing the transparent layers, the brushwork and impastos, the warm and cool nuances staining the canvas or obliterating it, the carefully worked passages contrasting the broad washes. In short: we're missing a sensitivity to medium..."
This journal entry is now available as part of a compilation in ebook form:
Specifications:
Epub and PDF formats
102 Entries
26,700+ Words
95 Full-Color Illustrations (Oil paintings by the author.)
2006 - 2010
More information here.
Labels:
edges,
hue/temperature,
light,
oil painting,
paint quality,
painting,
photography,
props,
realism,
saturation/chroma,
still life,
value/tone,
viewing
Sunday, October 29, 2006
A Knife, A Face and a Bit of Color
Excerpt from this posting:
"...it is the chance to revel in pure color. Trowel on the thick paint and when it is just right, like a Polaroid developing, the truth kicks in..."
This journal entry is now available as part of a compilation in ebook form:
Specifications:
Epub and PDF formats
102 Entries
26,700+ Words
95 Full-Color Illustrations (Oil paintings by the author.)
2006 - 2010
More information here.
Labels:
aesthetics,
color,
edges,
hue/temperature,
impression,
knife,
loose,
materials,
methods,
oil painting,
optics,
paint quality,
painting,
palette,
portrait,
saturation/chroma,
studies,
style,
value/tone
Tuesday, October 24, 2006
Pushing and Pulling
Excerpt from this posting:
"...only came to life as I pushed the paint around. I've found that there are two ways to make something up..."
This journal entry is now available as part of a compilation in ebook form:
Specifications:
Epub and PDF formats
102 Entries
26,700+ Words
95 Full-Color Illustrations (Oil paintings by the author.)
2006 - 2010
More information here.
-Doug Rugh
Labels:
color,
hue/temperature,
imagination,
influence,
interpretation,
light,
masters,
methods,
oil painting,
painting,
portrait,
realism,
studies,
value/tone
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