View a larger image.
Excerpt from this posting:
"...Each surface reveals the cool square daylight/warm round spotlight relationship in its own way..."
This journal entry is now available as part of a compilation in ebook form:
Specifications:
Epub and PDF formats
102 Entries
26,700+ Words
95 Full-Color Illustrations (Oil paintings by the author.)
2006 - 2010
More information here.
Observations by Doug Rugh, a classically trained artist based on Cape Cod,Massachusetts. (Overwrought penumbras, tangential tales and meager conundrums diffused through the squinting oculus of a shade arranger.)
Tuesday, October 31, 2006
Tea for Three
Labels:
blended,
edges,
light,
oil painting,
optics,
painting,
photography,
props,
realism,
still life,
viewing
Sunday, October 29, 2006
Eye Candy
View a larger image.
Excerpt from this posting:
"...A photograph would most likely represent these nuances as a single and colorless light tone..."
This journal entry is now available as part of a compilation in ebook form:
Specifications:
Epub and PDF formats
102 Entries
26,700+ Words
95 Full-Color Illustrations (Oil paintings by the author.)
2006 - 2010
More information here.
-Doug Rugh
Labels:
aesthetics,
blended,
hue/temperature,
inspiration,
light,
oil painting,
optics,
painting,
portrait,
realism,
saturation/chroma
A Knife, A Face and a Bit of Color
View a larger image.
Excerpt from this posting:
"...it is the chance to revel in pure color. Trowel on the thick paint and when it is just right, like a Polaroid developing, the truth kicks in..."
This journal entry is now available as part of a compilation in ebook form:
Specifications:
Epub and PDF formats
102 Entries
26,700+ Words
95 Full-Color Illustrations (Oil paintings by the author.)
2006 - 2010
More information here.
Excerpt from this posting:
"...it is the chance to revel in pure color. Trowel on the thick paint and when it is just right, like a Polaroid developing, the truth kicks in..."
This journal entry is now available as part of a compilation in ebook form:
Specifications:
Epub and PDF formats
102 Entries
26,700+ Words
95 Full-Color Illustrations (Oil paintings by the author.)
2006 - 2010
More information here.
Labels:
aesthetics,
color,
edges,
hue/temperature,
impression,
knife,
loose,
materials,
methods,
oil painting,
optics,
paint quality,
painting,
palette,
portrait,
saturation/chroma,
studies,
style,
value/tone
Saturday, October 28, 2006
Starting Trouble
Excerpt from this posting:
"...Cars kept pulling in next to me and the occupants would look over my shoulder..."
This journal entry is now available as part of a compilation in ebook form:
Specifications:
Epub and PDF formats
102 Entries
26,700+ Words
95 Full-Color Illustrations (Oil paintings by the author.)
2006 - 2010
More information here.
-Doug Rugh
Labels:
Cape Cod,
challenges,
inspiration,
landscape,
light,
location,
loose,
oil painting,
paint quality,
painting,
plein air,
portrait,
props,
studies,
viewers
Friday, October 27, 2006
Ferry to the Vineyard
Excerpt from this posting:
"...I hesitate to finesse it, as I normally would, because it captures the feeling of the day..."
This journal entry is now available as part of a compilation in ebook form:
Specifications:
Epub and PDF formats
102 Entries
26,700+ Words
95 Full-Color Illustrations (Oil paintings by the author.)
2006 - 2010
More information here.
-Doug Rugh
Labels:
brushstrokes,
impression,
interpretation,
knife,
landscape,
light,
location,
loose,
methods,
oil painting,
paint quality,
painting,
photography,
plein air
An Audience of One
This is a detail of a larger painting.
View a satelite map of the location.
Excerpt from this posting:
"...Like the time when a big black crow landed on Hillary's straw hat. They both looked at each other at the same time and in the scuffle the bird flew off..."
This journal entry is now available as part of a compilation in ebook form:
Specifications:
Epub and PDF formats
102 Entries
26,700+ Words
95 Full-Color Illustrations (Oil paintings by the author.)
2006 - 2010
More information here.
-Doug Rugh
View a satelite map of the location.
Excerpt from this posting:
"...Like the time when a big black crow landed on Hillary's straw hat. They both looked at each other at the same time and in the scuffle the bird flew off..."
This journal entry is now available as part of a compilation in ebook form:
Specifications:
Epub and PDF formats
102 Entries
26,700+ Words
95 Full-Color Illustrations (Oil paintings by the author.)
2006 - 2010
More information here.
-Doug Rugh
Thursday, October 26, 2006
Diffusion and Halation
This is a detail from a larger painting.
Excerpt from this posting:
"...This is an effect that is around us everywhere in our daily lives but we trick ourselves into not seeing it (few artists are aware of it partly because many work from photographs) but it's obvious when you look for it..."
This journal entry is now available as part of a compilation in ebook form:
Specifications:
Epub and PDF formats
102 Entries
26,700+ Words
95 Full-Color Illustrations (Oil paintings by the author.)
2006 - 2010
More information here.
-Doug Rugh
Excerpt from this posting:
"...This is an effect that is around us everywhere in our daily lives but we trick ourselves into not seeing it (few artists are aware of it partly because many work from photographs) but it's obvious when you look for it..."
This journal entry is now available as part of a compilation in ebook form:
Specifications:
Epub and PDF formats
102 Entries
26,700+ Words
95 Full-Color Illustrations (Oil paintings by the author.)
2006 - 2010
More information here.
-Doug Rugh
Labels:
blended,
color,
edges,
hue/temperature,
impression,
insight,
light,
methods,
oil painting,
optics,
paint quality,
painting,
props,
saturation/chroma,
still life,
viewing
Wednesday, October 25, 2006
The Sound of Painting
Brrrrrmmmm. (silence) Click. Step - step - step. Click. Pop. Glug - glug - glug. Click.
[Car pulls up. Engine turns off. Man steps out and opens trunk. Grolsh beer bottle is unhinged and solvent is poured from the bottle into a smaller container. Portable stool strap is placed over shoulder and French easel is placed on ground. Mahl stick in hand, the trunk closes.]
Step - tap - step - step - tap...
[Artist walks carrying French easel in hand, using mahl stick as walking stick.]
(silence)
[Artist scans the surrounding scenery.]
(silence)
[Artist holds hands up like a movie director, cropping scene.]
Plop. Slide - pop. Slide - pop. Slide - pop. Slide - pop. Cough. Metallic twisting. Click. (silence) Scrape, scrape-scrape. (silence) Glug. (silence).
[Gear is set on ground. Portable stool legs are telescoped out. Artist coughs. French easel legs are untwisted, set out and rescrewed and the canvas lid is raised. Old paint is scraped off palette. New paint is squeezed on. Solvent is poured into palette cup. Artist studies the scene.]
(silence)
[Artist paints.]
(silence) "Woops."
[Passerbys look over shoulder. Artist drops brush.]
(silence)
[Artist paints.]
(First bars of Fur Elise by Beethoven.) "Okay, I'm just wrapping up here."
[Cell phone rings. Artist speaks.]
Swish - swish. Click. Metallic twisting. Step - step - tap - step - step - tap. Click. Plop. Click. Brrrrrmmmm.
[Brushes are rinsed in solvent. French easel is closed up. Artist walks to car and places gear in trunk. Drives away.]
(silence)
-Doug Rugh
[Car pulls up. Engine turns off. Man steps out and opens trunk. Grolsh beer bottle is unhinged and solvent is poured from the bottle into a smaller container. Portable stool strap is placed over shoulder and French easel is placed on ground. Mahl stick in hand, the trunk closes.]
Step - tap - step - step - tap...
[Artist walks carrying French easel in hand, using mahl stick as walking stick.]
(silence)
[Artist scans the surrounding scenery.]
(silence)
[Artist holds hands up like a movie director, cropping scene.]
Plop. Slide - pop. Slide - pop. Slide - pop. Slide - pop. Cough. Metallic twisting. Click. (silence) Scrape, scrape-scrape. (silence) Glug. (silence).
[Gear is set on ground. Portable stool legs are telescoped out. Artist coughs. French easel legs are untwisted, set out and rescrewed and the canvas lid is raised. Old paint is scraped off palette. New paint is squeezed on. Solvent is poured into palette cup. Artist studies the scene.]
(silence)
[Artist paints.]
(silence) "Woops."
[Passerbys look over shoulder. Artist drops brush.]
(silence)
[Artist paints.]
(First bars of Fur Elise by Beethoven.) "Okay, I'm just wrapping up here."
[Cell phone rings. Artist speaks.]
Swish - swish. Click. Metallic twisting. Step - step - tap - step - step - tap. Click. Plop. Click. Brrrrrmmmm.
[Brushes are rinsed in solvent. French easel is closed up. Artist walks to car and places gear in trunk. Drives away.]
(silence)
-Doug Rugh
Tuesday, October 24, 2006
Scribbling on the Tabula Rasa
Excerpt from this posting:
"...More recently she's started in on portraits. She'll say a name of someone in the family and draw a little blob. Then another name and another little amoeba. You can almost hear the cells dividing..."
This journal entry is now available as part of a compilation in ebook form:
Specifications:
Epub and PDF formats
102 Entries
26,700+ Words
95 Full-Color Illustrations (Oil paintings by the author.)
2006 - 2010
More information here.
-Doug Rugh
Labels:
children,
daughters,
drawing,
fatherhood,
insight,
masters,
oil painting,
painting,
talent
Pushing and Pulling
Excerpt from this posting:
"...only came to life as I pushed the paint around. I've found that there are two ways to make something up..."
This journal entry is now available as part of a compilation in ebook form:
Specifications:
Epub and PDF formats
102 Entries
26,700+ Words
95 Full-Color Illustrations (Oil paintings by the author.)
2006 - 2010
More information here.
-Doug Rugh
Labels:
color,
hue/temperature,
imagination,
influence,
interpretation,
light,
masters,
methods,
oil painting,
painting,
portrait,
realism,
studies,
value/tone
Sunday, October 22, 2006
Look, I'm an Airplane. Wheeee!
View a larger image.
Excerpt from this posting:
"Scarecrows prove the point that gesture reveals much about character..."
This journal entry is now available as part of a compilation in ebook form:
Specifications:
Epub and PDF formats
102 Entries
26,700+ Words
95 Full-Color Illustrations (Oil paintings by the author.)
2006 - 2010
More information here.
-Doug Rugh
Labels:
children,
figures,
gesture,
imagination,
oil painting,
painting,
plein air,
portrait
Thursday, October 19, 2006
Plein Air Appurtenances1
Pochade box or half French easel 2
Mahlstick 3
Clam gauge cropping rectangle 4
Dirt and powders mulled with oil of flaxseed: Thalos, quinacridones, dioxazine, ochres and umbers -- from Naples and Sienna, burnt and otherwise -- titanium and cadmiums, manganese, ultramarine and Prussian all crimped tight in tubes. 5
Viva towels 6
Sable filberts and liners, badger and hog bristle implements 7
Brass matching cups fixed up with white spirits 8
Tilley hat 9
Dipteran spray 10
Steel Italian painting knives 11
Scraper Blade 12
Post cards 13
Dog biscuits 14
1Alternate title: Fun with Footnotes. It's also fun to use French. When my wife asks what I'm going to do today I like to say, "I'm painting en plein air." It captures the spirit better than "painting outside."
2I have different sized pochade boxes and portable easels. I'm always trying to find a lighter one that holds more stuff.
3By far and away the number one question I get is, "What is that stick for?" Maybe 9 out of 10 men ask it. Look for an answer in an upcoming post.
4On Cape Cod an artist can go into any hardware store and buy this small aluminum rectangle that has a 1" x 2" window that can be covered with the thumb (I make hash marks at standard proportions) to turn it into a cropping tool that fits on a keychain.
5The synthetic colors and their Latin names show their beginnings in a laboratory. Highly chromatic and with powerful tints they overwhelm the old faithful earth colors named after hometowns where they were sifted from the dirt. "Burnt" colors are just that, turning reddish in the process.
6Forget these and pack up and go home; no other brands compare. Soft and absorbent enough for an infant's spittle.
7The hairs of these brushes mimic the personalities of the various animals.
8Apparently 100% petroleum distillates paint solvent is less toxic than the traditional natural turpentine from the larch tree. After a couple hours it becomes apparent where the term "spirits" came from.
9The other day a tourist said to his wife, "Look at that funny hat." It can be amusing when others think you can't hear them. The Tilley hat is a stiff white cotton safari hat and its rim snaps up on either side. There is a secret panel for a $20 bill.
10I don't need it very often here on the Cape where the sea breeze keeps the mosquitos away.
11There are cheap knives and there are good ones. The former a stiff trowel the latter a thin flexible blade that makes a "ping" when plucked.
12A sharp, flat-sided blade for leveling excessively flamboyant dried brushtstrokes from a painted surface.
13Of my work of course. I count on word of mouth and it's surprising the interest I'll get from onlookers on location. If someone says, "That's good. Maybe you'll be in a gallery one day." I can pull out a card and show that I really can do better than this piece of experimentation that you see before you.
14Carry a few biscuits and you can be the St. Francis for dogs wherever you go.
-Doug Rugh
Mahlstick 3
Clam gauge cropping rectangle 4
Dirt and powders mulled with oil of flaxseed: Thalos, quinacridones, dioxazine, ochres and umbers -- from Naples and Sienna, burnt and otherwise -- titanium and cadmiums, manganese, ultramarine and Prussian all crimped tight in tubes. 5
Viva towels 6
Sable filberts and liners, badger and hog bristle implements 7
Brass matching cups fixed up with white spirits 8
Tilley hat 9
Dipteran spray 10
Steel Italian painting knives 11
Scraper Blade 12
Post cards 13
Dog biscuits 14
1Alternate title: Fun with Footnotes. It's also fun to use French. When my wife asks what I'm going to do today I like to say, "I'm painting en plein air." It captures the spirit better than "painting outside."
2I have different sized pochade boxes and portable easels. I'm always trying to find a lighter one that holds more stuff.
3By far and away the number one question I get is, "What is that stick for?" Maybe 9 out of 10 men ask it. Look for an answer in an upcoming post.
4On Cape Cod an artist can go into any hardware store and buy this small aluminum rectangle that has a 1" x 2" window that can be covered with the thumb (I make hash marks at standard proportions) to turn it into a cropping tool that fits on a keychain.
5The synthetic colors and their Latin names show their beginnings in a laboratory. Highly chromatic and with powerful tints they overwhelm the old faithful earth colors named after hometowns where they were sifted from the dirt. "Burnt" colors are just that, turning reddish in the process.
6Forget these and pack up and go home; no other brands compare. Soft and absorbent enough for an infant's spittle.
7The hairs of these brushes mimic the personalities of the various animals.
8Apparently 100% petroleum distillates paint solvent is less toxic than the traditional natural turpentine from the larch tree. After a couple hours it becomes apparent where the term "spirits" came from.
9The other day a tourist said to his wife, "Look at that funny hat." It can be amusing when others think you can't hear them. The Tilley hat is a stiff white cotton safari hat and its rim snaps up on either side. There is a secret panel for a $20 bill.
10I don't need it very often here on the Cape where the sea breeze keeps the mosquitos away.
11There are cheap knives and there are good ones. The former a stiff trowel the latter a thin flexible blade that makes a "ping" when plucked.
12A sharp, flat-sided blade for leveling excessively flamboyant dried brushtstrokes from a painted surface.
13Of my work of course. I count on word of mouth and it's surprising the interest I'll get from onlookers on location. If someone says, "That's good. Maybe you'll be in a gallery one day." I can pull out a card and show that I really can do better than this piece of experimentation that you see before you.
14Carry a few biscuits and you can be the St. Francis for dogs wherever you go.
-Doug Rugh
Wednesday, October 18, 2006
Part of the Scenery, Woods Hole
View a satelite map of the location.
Excerpt from this posting:
"...I overheard one of the crew joking, "Offer him $400 for the painting." and another one said, "He probably wants $600, to get a week's wage out of it." When they asked about the price I was too embarrassed to tell them that it would be quite a bit more than that..."
This journal entry is now available as part of a compilation in ebook form:
Specifications:
Epub and PDF formats
102 Entries
26,700+ Words
95 Full-Color Illustrations (Oil paintings by the author.)
2006 - 2010
More information here.
-Doug Rugh
Labels:
Cape Cod,
figures,
group,
landscape,
location,
methods,
oil painting,
painting,
plein air,
portrait,
viewers,
Woods Hole
Taste in Gnats
View a larger finished image.
Excerpt from this posting:
"...Look closely and you'll see why. Those aren't birds flocking in the sky but gnats swimming in the paint. I had forgotten about these little critters that seem to spring out of the shoreline in the late afternoon..."
This journal entry is now available as part of a compilation in ebook form:
Specifications:
Epub and PDF formats
102 Entries
26,700+ Words
95 Full-Color Illustrations (Oil paintings by the author.)
2006 - 2010
More information here.
-Doug Rugh
Excerpt from this posting:
"...Look closely and you'll see why. Those aren't birds flocking in the sky but gnats swimming in the paint. I had forgotten about these little critters that seem to spring out of the shoreline in the late afternoon..."
This journal entry is now available as part of a compilation in ebook form:
Specifications:
Epub and PDF formats
102 Entries
26,700+ Words
95 Full-Color Illustrations (Oil paintings by the author.)
2006 - 2010
More information here.
-Doug Rugh
Labels:
Cape Cod,
challenges,
hue/temperature,
landscape,
location,
methods,
oil painting,
painting,
plein air,
saturation/chroma
Monday, October 16, 2006
Roses and a Stone Wall
View a larger image
View a satelite map of the location.
Excerpt from this posting:
"...Like many things that are handmade there is a charm in the way that the artisan's hand is revealed.
..."
This journal entry is now available as part of a compilation in ebook form:
Specifications:
Epub and PDF formats
102 Entries
26,700+ Words
95 Full-Color Illustrations (Oil paintings by the author.)
2006 - 2010
More information here.
Labels:
Cape Cod,
family,
landscape,
location,
meaning,
oil painting,
painting,
personalities,
plein air,
Woods Hole
Sunday, October 15, 2006
Frodo's Pergola
View a satelite map of the location.
Excerpt from this posting:
"...I framed it up and put it on exhibition. Someone said to me, "Is that a garage?"
..."
This journal entry is now available as part of a compilation in ebook form:
Specifications:
Epub and PDF formats
102 Entries
26,700+ Words
95 Full-Color Illustrations (Oil paintings by the author.)
2006 - 2010
More information here.
Labels:
Cape Cod,
composition,
inspiration,
landscape,
location,
oil painting,
painting,
plein air,
saturation/chroma,
tourists,
viewers,
Woods Hole
Saturday, October 14, 2006
How Many Dabs is a Man?
This journal entry is now available as part of a compilation in ebook form:
Specifications:
Epub and PDF formats
102 Entries
26,700+ Words
95 Full-Color Illustrations (Oil paintings by the author.)
2006 - 2010
More information here.
Specifications:
Epub and PDF formats
102 Entries
26,700+ Words
95 Full-Color Illustrations (Oil paintings by the author.)
2006 - 2010
More information here.
Labels:
figures,
gesture,
location,
loose,
oil painting,
paint quality,
painting,
studies
Channeling Angela
Excerpt from this posting:
"...It's channeling and at the end you wake up and watch the film...."
This journal entry is now available as part of a compilation in ebook form:
Specifications:
Epub and PDF formats
102 Entries
26,700+ Words
95 Full-Color Illustrations (Oil paintings by the author.)
2006 - 2010
More information here.
Is Somebody Trying to Tell Me Something?
Excerpt from this posting:
"...This way I'm following the movement of the horses and always painting...."
This journal entry is now available as part of a compilation in ebook form:
Specifications:
Epub and PDF formats
102 Entries
26,700+ Words
95 Full-Color Illustrations (Oil paintings by the author.)
2006 - 2010
More information here.
Labels:
figures,
foreshortening,
gesture,
insight,
loose,
methods,
oil painting,
painting,
plein air,
portrait,
studies
Traffic Obstacle
Excerpt from this posting:
"...Or as a car slows down I turn, expecting a rebuke from a concerned citizen but instead it's, "Can we see?"..."
This journal entry is now available as part of a compilation in ebook form:
Specifications:
Epub and PDF formats
102 Entries
26,700+ Words
95 Full-Color Illustrations (Oil paintings by the author.)
2006 - 2010
More information here.
Labels:
aesthetics,
Cape Cod,
challenges,
composition,
foreshortening,
inspiration,
landscape,
light,
location,
methods,
oil painting,
painting,
plein air,
tourists,
viewers,
Woods Hole
Friday, October 13, 2006
Opening Doors, Outdoors
View a larger image.
Excerpt from this posting:
"...the process itself becomes the attraction and the end result is a still movie of the artist's mind and hand at work..."
This journal entry is now available as part of a compilation in ebook form:
Specifications:
Epub and PDF formats
102 Entries
26,700+ Words
95 Full-Color Illustrations (Oil paintings by the author.)
2006 - 2010
More information here.
Labels:
aesthetics,
brushstrokes,
impression,
inspiration,
interpretation,
knife,
landscape,
location,
loose,
methods,
North Falmouth,
oil painting,
paint quality,
painting,
plein air,
summer
Thursday, October 12, 2006
Welcome
My wife and I are fortunate enough to be full-time oil painters based on Cape Cod. Fortunate because we are able to spend our days painting from nature -- essentially spending our hours looking for beauty -- and fortunate because a prerequisite for our summer "work" is hanging out in nice spot by the sea.
October days are cooling down and before the balmy days of painting sunbathers on the beach totally disappear from my memory I hope to recount some of my summer painting experiences here in this journal. Admittedly, much of the experience flips between the sense of selflessness fed by absorption in the painting process and the internal dialogue fueled by brief encounters with onlookers. One a solitary, and paradoxically selfish process, and the other a direct response to the work (and the artist and his equipment etc.) at hand. A boy touches the painting to see if the paint is wet while I study the colors of the clouds. Something for everyone.
-Doug Rugh
October days are cooling down and before the balmy days of painting sunbathers on the beach totally disappear from my memory I hope to recount some of my summer painting experiences here in this journal. Admittedly, much of the experience flips between the sense of selflessness fed by absorption in the painting process and the internal dialogue fueled by brief encounters with onlookers. One a solitary, and paradoxically selfish process, and the other a direct response to the work (and the artist and his equipment etc.) at hand. A boy touches the painting to see if the paint is wet while I study the colors of the clouds. Something for everyone.
-Doug Rugh
Subscribe to:
Posts (Atom)