Showing posts with label props. Show all posts
Showing posts with label props. Show all posts

Friday, May 11, 2007

There's No There There

Oil Painting View a larger image. Blueberries and Cream, 9" x 12" - oil/panel

Excerpt from this posting:

"...It's impossible to be impressed with oneself..."

This journal entry is now available as part of a compilation in ebook form:

Specifications:
Epub and PDF formats
102 Entries
26,700+ Words
95 Full-Color Illustrations (Oil paintings by the author.)
2006 - 2010

More information here.

Sunday, December 24, 2006

From Antiquity to Antique

View a larger image.

Excerpt from this posting: "The central figure is the muse among the ruins (though these scalloped columns are pink) and the carved organ pedals are in the shape of her lyre..."

This journal entry is now available as part of a compilation in ebook form:

Specifications:
Epub and PDF formats
102 Entries
26,700+ Words
95 Full-Color Illustrations (Oil paintings by the author.)
2006 - 2010

More information here.

-Doug Rugh

Wednesday, November 29, 2006

Final Rigging

View the larger painting.

An excerpt from a chapter by the artist in Still-Life in Oils, edited by Theodora Philcox:

Excerpt from this posting:

"...The movement ends with a quiet crescendo of the wave, not noticed at first, in part of a painting by Winslow Homer called 'Weatherbeaten' on the wall behind. Light bounces against the shiny surface of the bow as it slides through the 'water' and the silhouette of the raincoat on the chair continues the movement of the trailing wake that follows behind..."

This journal entry is now available as part of a compilation in ebook form:

Specifications:
Epub and PDF formats
102 Entries
26,700+ Words
95 Full-Color Illustrations (Oil paintings by the author.)
2006 - 2010

More information here.

Sunday, November 05, 2006

Standing in Front of a Painting


View the whole painting and an excerpt from a book about the technique used in creating this work.

Excerpt from this posting:

"...artwork done with the eye doesn't get a fair viewing. We're missing the transparent layers, the brushwork and impastos, the warm and cool nuances staining the canvas or obliterating it, the carefully worked passages contrasting the broad washes. In short: we're missing a sensitivity to medium..."

This journal entry is now available as part of a compilation in ebook form:

Specifications:
Epub and PDF formats
102 Entries
26,700+ Words
95 Full-Color Illustrations (Oil paintings by the author.)
2006 - 2010

More information here.

Tuesday, October 31, 2006

Tea for Three

View a larger image.

Excerpt from this posting:

"...Each surface reveals the cool square daylight/warm round spotlight relationship in its own way..."

This journal entry is now available as part of a compilation in ebook form:

Specifications:
Epub and PDF formats
102 Entries
26,700+ Words
95 Full-Color Illustrations (Oil paintings by the author.)
2006 - 2010

More information here.

Saturday, October 28, 2006

Starting Trouble



Excerpt from this posting:

"...Cars kept pulling in next to me and the occupants would look over my shoulder..."

This journal entry is now available as part of a compilation in ebook form:

Specifications:
Epub and PDF formats
102 Entries
26,700+ Words
95 Full-Color Illustrations (Oil paintings by the author.)
2006 - 2010

More information here.

-Doug Rugh

Thursday, October 26, 2006

Diffusion and Halation

This is a detail from a larger painting.

Excerpt from this posting:

"...This is an effect that is around us everywhere in our daily lives but we trick ourselves into not seeing it (few artists are aware of it partly because many work from photographs) but it's obvious when you look for it..."

This journal entry is now available as part of a compilation in ebook form:

Specifications:
Epub and PDF formats
102 Entries
26,700+ Words
95 Full-Color Illustrations (Oil paintings by the author.)
2006 - 2010

More information here.

-Doug Rugh